Somewhere between The Last Kingdom, Kate Bush and Vikings we find Emaline Delapaix …
This morning Emaline Delapaix’s little box of music dropped through the door,. as always, made from the heart, beautiful, magical and attention to story and detail like a Nordic bard of old telling stories to a winter fire.
The whole package is an ethereal experience in music,. an ancient folk music though symbiotically tied to our modern world. It is one to experience..
FISHINABOX were first introduced to Emaline’s magical work five years ago during the filming of Hannibal (anti fur video) and the ongoing Glede Wood alternative living project.
“Bend of the trees”,which is featured in this new release unplugged, became our soundtrack song for the Glede Wood project and since then Emaline has gone from strength to strength.
Outside of Emaline’s stunning vocals, and the atmospheric journey that the music takes us on, stands a deep and engaging lyrical strength. Emaline captures a balance between her travels, Her ethical veganism and her artistic impressionism, like musical paintings of all that surrounds her, the sound hands on the air around you like canvasses before fading to the ever rolling songsmith as the story audible carries on. She takes time to explore the background to her musical story and this is cleverly supported with selected statements and imagery adding to the whole package.
What’s the blurb on the album:
“Emaline’s nine track album ‘With Every Beat’ includes songs recorded in Scandinavia, Europe and the UK on a grand piano, guitars, synths, mini wurlitzer, mandola and celtic harp including locations in Berlin, the New Forest England and the mystical Faroe Islands. Apart from some winter recording at the wonderful Studio Bloch in Tórshavn capturing some Nordic ambience, the record is 100% DIY; a labour of love which was played, recorded and mixed by Emaline and her partner Lukas with a few guest musician friends on cello, banjo, flute, viola, trumpet, drums and french Horn.
Drawing on many influences from folktronica, art pop, traditional folk, and even a little soft symphonic metal on the song ‘Turmoil of Winter’, the new record is a sonic soundscape interlacing stories and thoughts about current world issues, dealing with animal rights, the lack of female role models in mainstream music, mental health, longing for nature and a simpler life, self worth and the memory loss and death of a beloved Grand parent with alzheimer’s disease. Although at times melancholy, the music is still positive…the title track ‘With Every Beat’ is a kind of mantra to help dissipate negative mental thoughts and body anxiety, instead drawing on the strength we hold in our bodies to fight dark forces and move forward in the world.”
This is an album that will take you to a sacred space, an ancient place, a meditative space, a thinking yet calming pace…
Our recommendation: check this album out, “eave the city , shake of the concrete dust and remember yourself”
hey , got so carried away I almost forgot the link on where to get a copy:
DISCLAIMER: Links to information on sites other than those operated by FISHINABOX RECORDS are for your convenience only and are not an endorsement or recommendation of those sites. FISHINABOX RECORDS does not control or provide any content or information at these sites, makes no representation or warranty of any kind with respect to these sites or their content, and does not maintain, operate, or take responsibility for information provided. FISHINABOX RECORDS does not endorse and is not responsible for the accuracy or reliability of such content or information and any use thereof is solely at the user’s risk.
Music Matters: The 25th Annual FRIEND Festival – New Age Revivial ? They never stopped
Since the Battle of the Beanfield; the unrelenting harassment of the peace convoy under Heseltine’s sneering gaze; the end of Beetle Mania (that’s VW not John Lennon btw); Glastonbury pushing up prices to £16.50, (working class rip off) and putting in barriers along with the waning of the spirit of Stonehenge, as the Police, having infiltrated the anarchists to death and since turned their attention to Animal Rights; festivals have totally dropped off my happy list.
Once Joyous celebrations, free folk gatherings, it was all over. One after the other they had been poisoned by rampant profiteering and state infiltration of what seemed like forever.
New festivals have popped up over the decades, oh yes never ending dates on bill boards, with ever rising ticket prices, backed by junk food demons peddling animal abuse in a bun, endless beer tents and irrelevant stage acts where the performers have nothing to say of any value whatsoever, are role models for exploitation objectification and violence, and obviously the endless cascading “profits before people”
It is not just about “Music Matters”, I’d completely ignored the scene, though raised an eyebrow of interest when Morrissey’s refused to finally go back and decline playing Glastonbury in 2015, over ethics.
Morrissey had already had a run in with Glastonbury in 2011 where he was reported to have released the below press statement:
“In 2011, I played Glastonbury and attempted to sing the song Meat Is Murder. Behind me, a screen that usually shows the many evils of factory farming remained blank. I was told that Michael Eavis (owner of the festival site) had stopped the screening of the film because it wasn’t indicative of how his dairy farm operated. He didn’t quite understand that the poor souls in the actual film did not want to be there in the first place. Michael Eavis also went on to justify banning the film by saying it would <upset> younger people.Like most animal haters, Michael appears to be one of those people who love dead animals, yet hate live ones. How is this sane, or logical, or possible?”
Glastonbury 2015, brought in pointless and talentless rapper Kayne West to headline the festival to fill the gap and justify the ticket sale price. Kayne West also has in an interest in fashion, specifically, Astrakhan (the fur of an unborn lamb). Yes, a foetus. The sheep is slaughtered, and the unborn lamb is ripped from her womb, its coat still curly and unformed.
Liz Jones (Mail on Sunday) reviewing Kayne West 2012 Paris fashion collection, was reported as stating ‘No imagination, no morals’: a damning verdict on Kanye West’s ‘ghastly’ fur-filled Paris show. (Did you also know that lambswool is most commonly taken from the backs of just slaughtered lambs? What did you think they did: used a little pink comb?)
The “Cult” of Glastonbury really sums up the problem with our Festival Scene, overpriced ,outrageous and unapologetically unethical and I am sure a great driver for a growing population of ethical aware people who simply do not want to be associated personally with pre-packed, don’t give a damn, show me the money, shrink wrapped Corporate Satanism.
The Dalai Lama (Heavily criticized for disrespecting the morals of the Buddhist order yet claiming some sort of headship over it, and participating in supporting violence by eating meat), was also in attendance at the 2015 Glastonbury festival. Unlike most Buddhist monks, who don’t eat meat because they believe it’s wrong to murder and commodify the bodies of any sentient being, the Dalai Lama is not vegan , not even vegetarian, yet despite this still try’s to maintain a media image of being a “sage” of sorts but really is nothing more than “sage and onion” stuffing for other suffering. That some frazzled maniac at the Festival attempted to start a chant when His Holiness walked out on stage. “One Dalai Lama! There’s only one Dalai Lama! One Dalai Laaaaama!” No-one joined in, Say’s it all…..
Commercial Festivals..
It may be fine for “flexitarians” to turn a blind eye to the backdrop of the festival site at Glastonbury, to crowd the field, and raise choruses of “oh Jeremy Corbyn” when JC used the Festival as a PR event for the Labour Party. JC “for the many” turned a blind eye to Michael Eavis questionable morals affecting the lives and freedoms of the “many” hidden out of sight as he played for political support from the “crowd” with yet another great speech of his.
For others who have a better moral compass, we seek a Festival with out the dark shadow of greed.
Why so much on Glastonbury in the post ? Well, the founder of F.R.I.E.N.D Festival Mark Eaton used to work Glastonbury Festival, distancing himself from it in the 80’s when those fences started going up and the ticket prices started going up too.. Glastonbury was once everything that was right with festivals, now it is everything that is wrong.
Glastonbury is out, as well as “priced out”, the site of an Animal Prison camp can never be a “happy home” no matter how loud the bands play or how fast the beer flows.
F.R.I.E.N.D. is in, the bands are still loud , the beer flows and the animals, all actually rescued form farm slavery, are free form abuse and commodification to live out their lives in peace, no one gets hurt , turn up the Bass Mark for the 25th annual F.R.I.E.N.D. Festival.
Let’s do this yeah !
One last thought for the Animal Prison Camps of Glastonbury, was some video footage sent over to FISHINABOX by one of the mind blowing bands that played F.R.I.E.N.D festival, a must see band called MOBIUS LOOP .
The band stopped by a dairy farm, just a regular farm, on the way back from the festival to film the below footage and add this comment to their story feed:
“This is how dairy is made in the UK. Babies separated from mothers so that a mother’s milk can be sold for profit. Even on organic dairy farms babies are separated 24-48 hours after birth. Complex mammals like cows have strong instincts to protect and nurse their young. All mother cows and their young end up in the slaughter house after forced pregnancies and births that always result in separation. #dairyisscary There is no need to fund this treatment of sentient beings when we can support our local British Hemp farmers and make nutritious hemp milk. A mother’s milk is made for her baby. We sing AHIMSA to all beings and their babies.”
Music Matters so let’s Get to F.R.I.E.N.D.. who’s on the playlist for 2019 ? With the exception of The Balsall Heathens, who were a late addition, to the playlist, the below is the full Festival playlist , check it out and see who’s who..
We rolled up through the main gate, greeted old faces not seen for years, and worked our way up across the fields. A sense of nostalgia reminiscent off the old peace Convoy free festivals of the 80’s, painted vehicles, a mish-mash of tents flags, and people wandering between.
The story of F.R.I.E.N.D. farm goes back to the mid 80’s,. originally the festival as a memorial day for Gari Allen, a great friend of Mark Eaton’s. One of Gari’s friends, Aileen (who attended the 25th Annual Festival), made a memorial stone to remember Gari’s life and achievement for the animals, and this was laid at F.R.I.E.N.D. Farm animal Sanctuary.
As Marks commitments took over in running F.R.I.E.N.D. he decided to enlarge the event to grow into a music festival, to bring joy peace and the party to the farm. Originally the dates coincided with The equinox but Mark moved the festival into July to avoid clashes with Stonehenge and also to get into better weather.
Mark didn’t make F.R.I.E.N.D Festival exclusively a Vegan festival, non-vegans are not restricted from attending in any way and bands would come from all cultures and backgrounds not always from the Vegan community.
So many of the musicians would comment about the rescue work going on at F.R.I.E.N.D whilst they were there, and Mark noticed they would ask to come back year after year due to amazing atmosphere at the festival .
There was also a natural progression in their thinking and lifestyle towards animal agriculture as they became more ethically engaged with the world around them.
Mark is clear though with all participants and attendees, to avoid any confusion about what people can bring with them regardless of their personal ethics, “This is vegan festival, please fully respect these principles by not bringing any meat, eggs or dairy onsite.”
As Mark says “you actually don’t really need any activism or workshops at a music festival, we have the rescue animals here on site, people can connect directly with the animals, make there own conclusions and make the right choices.”
Mark had invited people to paint signs for recycling, showers, paint up the toilet blocks, and a general all out color fest of activity and creative expression, artwork sporadically started to grow around the site.
As we parked almost on top of it at first, we got the a job to help directing people to the showers, a portable water shower and palette station at the back of the field. Showers were easy to use quick and clean. Toilet blocks where all biodegradable, using sawdust, wood chip and paper no plastic boxes or chemical poisoning that is so familiar at commercial festivals. The whole festival the toilet blocks were clean accessible and well maintained.
Graffitti Bill Boards popped up around the site and mind bending amazing artwork began to form fast on them.
Another massive plus at F.R.I.E.N.D festival was the food and rotating Menu’s. There is only Vegan food at the festival as anything else would be a sickening insult right to the animals that live there, rescued from factory farming and safe from commodification and violence in their forever home..
so the food…..
Damn….. AMAZEBALLS !!
“Vish” and Chips / Vegan Burgers, spicy / plain “V”Cheese you name it all the options / Asian Tofu Noodles / Curries / black beans / bean dishes all rotating so you had the sense of a festival menu.
There was also a range of desserts with a tea and cake tent which seemed to be open day and night which worked massively for everybody !!!! The Tea tent also run a Merchandise stall for T- Shirts, Hoodies, hell i’m sitting in one of the t-shirts now writing up this article, and all manner of absolutely stunning jewelry.
There was also some fund raising clothes rails with a range of amazing vintage clothing and a donations box, everyone appeared to put in decent donations for clothes they took a shine too, the money of course goes straight to the animals so the good feeling in supporting positive steps for the animals clearly had kicked into the crowd en mass.
“Moth3r” perform in the Marquee tent.. beats… rhymes… sublime….
MARQUEE:
A look at some of the bands playing the Marquee Tent – The Marching Skaletons / Niall from Ten Bags / Public Speech
The Marquee tent housed the “Razorback Inn” where the beer taps ran day and night.
In the early hours of Saturday morning, renditions of “Pick a bail of Cotton” performed earlier that evening by one of the bands called the Faux Pas, who ran a set of hypnotically catchy numbers earlier that evening, started to form and raise in volume again in the late night crowd, ….”Jump down turnaround, pick a bale of cotton, gotta jump down, turnaround, pick a bale a day etc….”
relaxing at the bar with the slowly quietening crowd , guitars came out again and the tunes started again and lingered way into the early hours and over into the dawn mists and the magic of dew forming in the early light. The rising sun finally bought the revelries to a close and we drifted off to a few hours slumber before the stage opened again for the next days set.
The Marching Skaletons , “ska” as in Two tone rock steady rhythms, These guys popped up all over the festival on the 2nd day, pressing beats and hypnotic rhythms as ska versions of Spiderman, Krartwerk’s The Model and and endless string of classics rolling out.
Niall heads up the folk punk group the Ten Bags, One of the fantastic things about F.R.I.E.N.D is the impromptu nature of how some of the acts fit together, Niall jumped into a gap in the running list to give us some spoken world poetry, gritty life insights such as “banned from the tesco” and “the mosley observation” a welcome set of renditions
Public Speech had the night spot, though every band has there own style the mix of rock and running rap lyrics between melodic flavours reminded me of the heavy rock band “Senser” who used to dominate main stage in the late 80’s and early 90’s , loud high energy, delivered.
MAIN STAGE:
The Ten Bags – Folk punk troubadours from the middle of England banged out a fantastic set of own tracks interspersed with some great covers, CRASS, Exploited and the Pogues a real Anarcho-Celtic-Punk fest as they rampaged through folk tradition!
MOBIUS LOOP,. These guys are on another level that we all need to evolve to, i’m actually just going to post their mission mantra to describe their stage set –
“We are married by our love of philosophical songwriting; channeling each lyric, melody, rhythm & harmony & weaving them into the tapestry of our union which is sanctified by the co-creation of our journey.”
If you achieve anything this year in the line of Creative pursuit, you MUST get to see this band live.
From monk punk to panto punk; from retro funk to garage junk; from pirate-sing-along to jazz metal; from a cult classic to a classic cultists here’s Chalice. a Christian band out to save your souls through rock n roll. Choppy chops and thrashing beats of Raymond Chinzano, smooth, meandering bass lines of Thomas “T Bone” Wheeler and the mathy licks in among syncopated, cutting guitar stabs from Benedict Quetzal. Then there’s Cede Von Taylor leading the line from the front with raspy, accusatory and confrontational vocals. They also do exorcisms !!
Rites of HADDA – Anarcho, pagan, gothic, psychedelic Witchpunk band from London. Born from a weekly jam session in a London squat and have released 3 eps; Samhain Ritual #1 (Live At The Gunners), From The Blow and the recent 7 track Witchpunk. Headed up by the enigmatic and hypnotically entrancing “Wilderness Wasp Howl” who presents on stage in a spinning swaying colourfest vibrating “forest” of organza, there really is nothing quite like this.
Johnny Kowalski and the Sexy Wierdos – “The Go To festival band for the moment” (BBC introducing Hereford and Worcester) After several years wowing audiences across the UK and EU music scene, playing rapturous festival sets at Boomtown, Nozstock, Y Not, and Tramlines, and then recording their second album with highly respected producer Gavin Monaghan (The Destroyers, The Editors, Robert Plant), the Sexy Weirdos are now gaining international acclaim for their third album “European English ” (available on Bandcamp, Spotify and I Tunes).
The list of bands was endless, we couldn’t cover them all, but that is where our invitation stands to YOU. Get down to F.R.I.E.N.D and get a taste of a whole new level of “Festival”.
Check out links to the other bands performing here:
Friend Farm Animal Sanctuary is located on a beautiful 10 acre site in rural Kent. The rescue was established in 1994 and have given sanctuary to upward of 2000 animals in the following 25 years.
F.R.I.E.N.D currently have approximately 200 non human animal residents including pigs, goats, sheep, cows, hens, ducks, geese, turkeys and more.
At F.R.I.E.N.D. the animals are the number 1 priority. The Rescue is a large 10 acre site and the music is contained centrally away from the animals who are free-roaming as much as possible.
They are able to keep a very comfortable distance throughout the weekend and remain in very peaceful areas of the sanctuary with little impact on their day to day business. The volunteers see FRIEND as the animals’ home first and foremost, and a space for the musical festival second and we manage the event with their well-being prioritised at all times.
F.R.I.E.N.D. Farm relies solely on donations from members of the public. Want to help out ? Here’s the link to support F.R.I.E.N.D: https://friendfarmanimalsanctuary.org/donate
Financial donations are spent on food, bedding, essential equipment and veterinary bills. We are a no kill sanctuary, we re-home a small amount of companion animals but most of the animals that live here stay with us until the day they die.
Unlike the bin and trash city big commercial festivals , recycling was key at F.R.I.E.N.D, recycle stations were everywhere, tea cups were returned to the wash stations, by the end of the festival there was only one , yes ONE black sack of non recyclable waste from the entire festival, such a massive contrast from the post Glastonbury scenes you see of what looks like a landfill site of debris left on the festival fields…
Not only is F.R.I.E.N.D. a relaxed safe family friendly event, the whole festival management and the crowd takes on a level of responsibility about the environment that I haven’t even seen in the greenest of gatherings around town.
These are people who care about how they party, and that is why this festival gets my best festival UK vote for 2019. These are the kind of festivals we want for the future, Eco friendly , ethical , great music, great atmosphere , family age and well managed through out.
Get to F.R.I.E.N.D for 2020 , to hell with the big sell out corporation , steel fenced, plastic chemical toilet, landfill site big money festivals that masquerade as a good time in “Brexit Britain’s” consumer selfie society.
Make exploitation history and have a great time doing it.
Photographers: Rachel ARA / Sharon Lee Tucker / Andie Kumafaro / Dan Pope
VEGSTOCK 2019 – NOW THAT’S WHAT I CALL MUSIC – VEGSTOCK FESTIVAL RETURNS
Following the success of last years Sell Out 100% Vegan Music Festival, Vegstock returns at the Piano Works in Farringdon for a second helping of great music, food and clothing.
Bands:
Phoebe Katis
Melodi
Queen V
Jessica Diamond
Jade Stanger
Red Cable Sunday
DJ Deccy
DISCLAIMER: Links to information on sites other than those operated by FISHINABOX RECORDS are for your convenience only and are not an endorsement or recommendation of those sites. FISHINABOX RECORDS does not control or provide any content or information at these sites, makes no representation or warranty of any kind with respect to these sites or their content, and does not maintain, operate, or take responsibility for information provided. FISHINABOX RECORDS does not endorse and is not responsible for the accuracy or reliability of such content or information and any use thereof is solely at the user’s risk.
NOW that’s what I call MUSIC – VEGSTOCK 2018 – An Interview with Queen V
2018 saw the return to centre stage of the “Chanson Engagé” with the launch of VEGSTOCK festival.
The brain child of singer / songwriter Queen V, the festival brought together Vegan music artists to carve out a place in the music industry to profile the vegan music scene.
VEGSTOCK 2018 festival rolled out at the Piano Works in Farringdon. The line-up consisted of 12 vegan acts in total, 11 bands and 1 DJ.
As in all things Vegan they stepped up the festival game, The “usual” festival go to of sticky heart attack droopy burgers and warm”piss in a pot” beer in cracked plastic pinters was replaced with a stunning selection of vegan food vendors (Vegan Sweet Tooth London, Shakey Shakey Vegan, Sheila’s Kitchen, Love Ice Cream and Jump To The Beet) and an endless all vegan drinks bar put on by the Piano Works, both alcoholic and non alcoholic.
Festival “usuals” of overpriced tacky band t-shirt stands were replaced with all ethical art / jewellery / clothing stalls. Vegstock as well as kick ass music, was the perfect place to experience and enjoy some of the best vegan bites there are to offer and the perfect place to pick up some seriously cool accessories and clothes.
So who was on the line up:
Bands:
– Rudy Warman & The Heavy Weather
– Queen V
– RIIVER
– Tokyo Taboo
– Platypus
– Juha
– spyplane
– Tally Spear
– Besureis
– The Fleas
– Amorie
– DJ Deccy
The Vegstock event raised funds in aid of: Open Cages – www.opencages.org and was Sponsored by The amazing Ethical Globe sponsoring the festival – www.ethicalglobe.com
An Interview with Queen V – 10 questions:
01 – Whats your Vegan story ?
I was vegetarian since the age of 8. I adored animals from a very young age and it made no sense to me to kill and eat what I loved. It wasn’t until I moved to London in January 2016 that veganism really came in to my life – I’d of course heard about it before but honestly thought it was more of a hippy thing to do and hadn’t given it any extra though. I know. My ignorance is painful. But I started working with a few bands down here, some members of which were vegan. I’d also just started dating my now boyfriend and he showed me ‘Cowspiracy,’ (he wasn’t vegan then but he is now!) Between them I got the knowledge I’d been seriously lacking.
02 – Did ethics (veganism etc) drive you to get into song writing ?
I wrote my first song at the age of 12. Savage Garden and Hanson inspired, I do believe. Music is my love and after studying it at college, I became a full time musician. However, veganism finally gave me something real to talk about. Something actually important. It was so refreshing. To write a song and know it means so much more. There’s so much bullshit in the charts, and it’s a shame, because that music influences a lot of young people. It’s my goal to get my songs mainstream because they’re important and tackles bigger more pressing issues than just, er, love. Or the lack of love. Or the betrayal of love. Or whatever the hell they’re churning out currently.
03 – what were your motivations in pulling the Vegstock event together ?
It was a bit of a no-brainer really. Having set up my vegan channel last summer (2017) I’ve played a lot of little vegan festivals and what not. But there really aren’t THAT many places to play my vegan songs and I realised no one was putting on an all vegan music festival. So I thought I would! 04 – Do you think there is a market for “Vegan Music” to raise awareness regarding veganism ?
I think if they’re written well and they come across in the right way, yes. There is. People are being more mindful of their choices in today’s society. Granted, we have a long way to go and lot of damage to repair. But I feel that a great deal of people want to help make this a better world for everyone. That’s where vegan music comes in.
05 – Is your aim to stay specifically in a ethical social genre ?
Currently I’m mainly writing about and focusing on veganism, liberating farm animals from the hell we’ve created for them, trying to slow down and start to repair the damage we’ve done to the environment. But, it’s all interlinked. It’s all part of the bigger puzzle. Ultimately selfishness and greed is what is destroying us and pretty much everything falls under that. 06 – Did you feel supported by the vegan community in putting on the VegStock event ?
Yeah some people were super supportive. Livekindly did a write up for us which was insanely amazing. A few other vegan pages shared the event. London’s first ever all vegan supermarket GreenBay (which is SO AWESOME) wrote about us. Fat Gay Vegan gave us a mention or two. And a few more too – generally very very positive and helpful, which is what you’d like to expect in a vegan community…! A couple of vegan places in the area wouldn’t let me display a poster a few days before the event, and that was pretty disappointing. 07 In setting up Vegstock were you mindful of other vegan social events being seen as brands or branded, that have falling into criticism for failing to stick to the vegan ethic or putting out self promoting, profiteering and confusing messages ?
That was my first hurdle really. From doing a lot of ‘googling’ I couldn’t find many vegan bands. And I almost stopped as soon as I had started. Still I stuck with it, and found a few awesome artists either through playing shows with them or hearing about them through friends. I also looked at the roster for a few animal sanctuary festivals.. I figured it was likely those bands were vegan (although I pissed off the band leader of one such band who turned out not to be vegan. Apparently I was being discriminatory saying I only wanted vegan bands. For my vegan festival. Sure.) After advertising the event and it becoming so successful on facebook, it turns out there are a HELL of a lot of vegan artists and bands… it was just difficult to find them! But it’s great as I now have a possibles list for next time. Of course the food stalls were all vegan, as were the products used by my henna lady, hair braider and masseuse. 08 – Who were your favorite acts and have you any collaborations with other artists that have or may grow out of putting on this event?
I played with Rudy Warman and the Heavyweather in Kent so I already knew they were phenomenal. Riiver was great. Tokyo Taboo were insanely good too. No plans to collaborate yet but I’m sure something will be on the cards at some point.
Rudy Warman and the Heavyweather:
09 – Do you have sponsorship / crowd funding, if people wanted to for example get a sample album of the bands such as VegStock2018 is that a thing ?
I don’t have either… but that could be super cool!
10 – where to next columbus ? – what have you got in the pipeline ?
Yes big things are in store! Our plan is to do quarterly mini Vegstocks, and then have the one big festival once a year, hopefully outside. I’m currently still stuck on the name for these smaller events..! But once I have that we’ll be all set. The next event will be Sunday January 20th – you heard it here first! I would love to do the next big Vegstock outside, maybe even make a weekend of it. But there’s obviously a heck of a lot more planning that needs to go in to an event like that. Fingers crossed I can pull it off. In terms of the playlist for the upcoming smaller Vegstocks – I would love to hear anyone’s music if they’re a vegan performing artist – please send links to vegstockuk@gmail.com
Ok more to come from Queen V – lets take a look at some of your work:
Latest Tracks:
Find out more about VEGSTOCK and Queen V on the below links
DISCLAIMER: Links to information on sites other than those operated by FISHINABOX RECORDS are for your convenience only and are not an endorsement or recommendation of those sites. FISHINABOX RECORDS does not control or provide any content or information at these sites, makes no representation or warranty of any kind with respect to these sites or their content, and does not maintain, operate, or take responsibility for information provided. FISHINABOX RECORDS does not endorse and is not responsible for the accuracy or reliability of such content or information and any use thereof is solely at the user’s risk.
Philip McCulloch-Downs – Sagra del Seitan 2018 XI Edizione – BIG ART INTERNATIONAL
When we are talking BIG art, We are talking art beamed onto a massive screen creating an immersive multimedia experience, exposing the 6,000+ attendees to the hidden victims of animal agriculture.
The BIG art show featured many Philip McCulloch-Downs’ incredibly detailed and moving pieces, two of the many pieces that were in the show are pictured in the above – ‘The forgotten’ and ‘Motherhood’.
The event was extremely visually engaging centered by the immersive multimedia event called “Made for the Animals 2.0”, with works by many vegan artists as well as Philip who give voice to the animal debate.
The themes of veganism and anti-speciesism were also supported by a rich cultural program packed with conferences and meetings.
When talking of the piece “the forgotten” Philip expressed “That one little life is now going to be alive and visible forever. I’m so made up by this – it’s very moving.”
The Sagra del Seitan 2018 XI Edizione Vegan Festival ran in Florence, Italy Saturday September 22 and 23, at the OBI Hall in Florence.
In addition to the Sagra del Seitan, Philips schedule just gets busier and busier, He has been involved in the The Art of Compassion Project appearing in Beijing, Dublin, Luxembourg and Florence!
Here is a look at The Art of Compassion Team at the International Animal Rights Conference in Luxembourg 6th – 9th September 2018.
For World Farmed Animal Day, Philip and Queen V seamlessly combined their creative work in the video for “What Hell Is like”. A day to feel proud to be associated with the activists of the world:
Those who speak up for the voiceless, against the vast, brutal farming corporations of the world.
Those who reveal hidden truths, to begin to change the majority opinion that meat and or dairy are essential to human life.
Those who do whatever they can to be compassionate – to all life, human and non-human.
“What hell is like” courtesy of Queen V
We look forward to the up and coming event the Liberation Arts Festival!. The hardest thing in Philip’s schedule is to keep up with his schedule.
Phillip is open for Commission work, or to find out more about his portfolio , projects and events please feel free to contact him directly through his facebook or merchandise link detailed below :
What does Animal Liberation mean to you? Educating the younger generation. Giving them the necessary facts and figures, as well as the encouragement, to help them realise that they can so easily change this world if they choose to, and thereby help us ALL evolve out of our current state of inertia and ignorance.
My personal part in the Animal Liberation Movement means connecting and empathising with the creatures that I paint, treating them with a dignity that they are denied by our farmers. I try to bear witness to their character, their suffering and their individuality, and by removing any barriers between ‘us’ and ‘them’ allow viewers to feel an empathy, which will hopefully lead to an understanding that changes hearts and minds.
DISCLAIMER: Links to information on sites other than those operated by FISHINABOX RECORDS are for your convenience only and are not an endorsement or recommendation of those sites. FISHINABOX RECORDS does not control or provide any content or information at these sites, makes no representation or warranty of any kind with respect to these sites or their content, and does not maintain, operate, or take responsibility for information provided. FISHINABOX RECORDS does not endorse and is not responsible for the accuracy or reliability of such content or information and any use thereof is solely at the user’s risk.
CAROL HODGE – Hold on to that Flame – New Release – PUNK BALLAD URBAN SOLO ALBUM
Punk Ballad Urban Vocal crafter and pianist Carol His back on the Manchester music scene with a new punk power ballad album of strong tracks that has taken reflection and time in the making.
She is constantly on projects, so whats new ? (Carol Hodge is a well known face on the Manchester music scene, performing solo as singer/pianist Crystal Grenade. She is also backing vocalist and pianist for Steve Ignorant’s Slice of Life, and provided female vocals on CRASS songs for The Last Supper tour)
This time it’s her Solo work.
Fishinabox have followed the journey with interest from the first writings for this solo album which started to form into songs from as far back as 2015, at a time when Carol penned, wrote and voiced the powerful lyrics on “The Power of Willful Ignorance”for one of our own ethics and animal rights projects.
Not having seen a major focus on her Solo career back in 2012/2013 we wanted more; but so did the music scene, the collaborations, other bands and artists and as a result, “Hold on to that flame” has taken time to get to general release.
This Album culminates the many aspects of her work succinctly, mixing and story to sweeten the bitter pill of daily life issues. and frankly is the one to buy.
Tracks like “Stop the world in it’s tracks, and “First world problems” are easy to identify with, and there are the welcome inclusions of some older material “The witch is dead and “Weather the storm”
Carol’s songwriting talents over the last 15 years always seem to be caught up primarily in other artists projects (including ours…… Mea Culpa) which have all benefited greatly from her extensive talent and a writer performer and her keen understanding of social issues that she often puts at the heart of her work.
Carol brings a strong classical element to all work that she touches and provides accessible depth to core lifestyle challenges and at times along with satirical lyrics exposing the globalization “dream” for the nightmare it represents ethically and morally.
Carol’s move to set up her own record label as well as focus on her solo career is a sound and welcome step. There is some bleakness, but not broken, some melancholy, but not darkness, in her work and being the relentless optimist that she is, there is always light that shines through the cracks so to speak, the work here enlightens.
Our advice from Fishinabox – pick up the album, as far as the Carol Hodge story goes to date it is the chance finally get the album , “buy the T-shirt” and open your ears to a song writer who captivates, yet remains, a soulful realist.
in Carols words -“Don’t be so selfish , Don’t be introspective , and broaden your mind to the global perspective”
Close all Slaughterhouses – Digital Music Release – Live – Kate Shortt
Every year in the world, 60 billion land animals and more than 1000 billion aquatic animals are killed without necessity, which means that 164 million land animals and more than 2,74 billion aquatic animals are killed every day.
http://meat-abolition.org/en/node/14
Close all Slaughterhouses is a digital music track inspired by Public Speakers at the Close all Slaughterhouses London March in June 2016. The event was held Globally in many cities with thousands of participants as part of a series of awareness campaigns for meat abolition.
Speakers are supported by the emotive cellist, Kate Shortt https://en.wikipedia.org/wiki/Kate_Shortt
Wilfred Owen’s poetry has been reworked into a vast range of different formats. some of the most moving of which were Benjamin Britten’s use of eight of Wilfred Owen’s poems into his War Requiem, along with words from the Latin Mass for the Dead (Missa pro Defunctis).
Derek Jarman also adapted it for the screen in 1988, with the 1963 recording as the soundtrack. Though these were striking they only touched on Owen’s works.
Penny Rimbaud’s intense and thorough exploration of the works of Wilfred Owen allows the listener to journey deeper into Owen’s works, the order of the poems , the haunting almost hypnotising presentation and audio setting push back the air around you creating almost a sense of silence that reaches out like shadow before pouring emotion into the space around you.
The remastering has been done, the recordings flawless, the CD and photobook hailing back to Owen’s home and surround area, quite stunning. The job could not have been done better and we would recommend all take a serious looking at the below interview and sales links and pick up a copy of the finished product before stocks run out:
What passing-bells for these who die as cattle?
Only the monstrous anger of the guns.
Only the stuttering rifles’ rapid rattle
Can patter out their hasty orisons.
No mockeries now for them; no prayers nor bells,
Nor any voice of mourning save the choirs, –
The shrill, demented choirs of wailing shells;
And bugles calling for them from sad shires.
What candles may be held to speed them all?
Not in the hands of boys, but in their eyes
Shall shine the holy glimmers of goodbyes.
The pallor of girls’ brows shall be their pall;
Their flowers the tenderness of patient minds,
And each slow dusk a drawing down of blinds.
On 11 November 1985, Owen was one of the 16 Great War poets commemorated on a slate stone unveiled in Westminster Abbey’s Poet’s Corner.
The inscription on the stone is taken from Owen’s “Preface” to his poems: “My subject is War, and the pity of War. The Poetry is in the pity.”
Where today we are so very desensitised and conditioned to the daily existence of mindless fruitless destruction, Where children are born to “order” , fodder for the battlefield, a death before life, a soldier a killer before being a child, where mothers wombs are sacked by Governments out of so called duty to the nation. Before life even begins they are consigned to death.
The destruction of men, as pigs to slaughter, whether they be English, French, German or anything else, a prerequisite of so called of civilisation. It is a crime of hate, a crime of power and corruption and a crime of society to take the innocent, and all that is left when done,. if we are able to feel a mother’s loss, is that breathless wheezing feeling of sorrow and compassion caused by living the sufferings and misfortunes of others.
Penny Rimbaud’s “What Passing bells” presents the pity in Owen’s works at the deepest most comprehensive and accessible level to date in the presentation of this writer’s works.
DISCLAIMER: Links to information on sites other than those operated by FISHINABOX RECORDS are for your convenience only and are not an endorsement or recommendation of those sites. FISHINABOX RECORDS does not control or provide any content or information at these sites, makes no representation or warranty of any kind with respect to these sites or their content, and does not maintain, operate, or take responsibility for information provided. FISHINABOX RECORDS does not endorse and is not responsible for the accuracy or reliability of such content or information and any use thereof is solely at the user’s risk.
GLEDE WOOD Alternative Eco Lifestyle Project feat: Emaline Delapaix
If you go down to the woods today, be sure to build your own house and you’ll be quids in. A house in the woods might sound like a fairy tale, but it doesn’t have to be made of gingerbread.
FISHINABOX in the search for the perfect Wilderness fairy tale village location to shoot the Rap Music Video for the hit song HANNIBAL we stumbled into , (literally) GLEDE WOOD. A picturesque Eco village alternative lifestyle “happening” set deep in the thickening forests of Shropshire .
The Location was perfect and so we chose it for the earthy leafy backdrop for our Filming Project.
To support the feature on the Wood, FISHINABOX reached out to renowned Vegan singer Songwriter Emaline Delapaix (also featured in the Sep/Oct issue of Barefoot Vegan Magazine. www.barefootvegan.com ) to provide a backtrack for the Wood website “Behind the Scenes” Feature.
Enjoy the Music and images as you journey further into Glede Wood……………..
Glede Wood is an alternative lifestyle choice. Where people are being increasingly being priced out of real estate and are faced with ever diminishing floor space, the chance to take a step out of the system and go it alone is becoming increasingly more popular.
Glede Wood came into being just over a year ago, with the purchase of a 5 acre plot of absolute wilderness and an iron resolve to start to build and create a safe, long standing set of perma-structures to live in. The work began on clearing and building, as the first step, a traditional Yurt (from the Turkic).
So what exactly is it, and, is it warm enough to sit the winter out in ? Simply speaking, a Yurt (or “ger” in the Mongolian) is a portable, round tent covered with fabrics or felts traditionally used as a dwelling by nomads in the steppes of Central Asia.
The structure comprises of an angled assembly or latticework of pieces of wood or bamboo for walls, a door frame, ribs (poles, rafters), and a wheel (crown, compression ring) possibly steam bent.
The roof structure is often self supporting but large yurts may have interior posts supporting the crown. The top of the wall of self supporting yurts is prevented from spreading by means of a tension band which opposes the force of the roof ribs.
At Glede Wood they decided to build a Modern version of the Yurt, set it up as a permanent built on a wooden platform and using beautifully decorated elaboratly formed wooden framing with canvas and tarpaulin sails. The Yurt is the first structure built in the project which will, over time to build a permanent house along with other yurts for guest and family to stay and also enjoy the serene tranquility of the woods.
On location at Glede Wood, in between filming we shot some stills of the site. Lets take a look around:
LIKE THE MUSIC ?
Enter our featured artist, Emaline Delapaix Original Folk-Pop on electric piano, acoustic guitar, baby celtic harp and electric/lapsteel guitar and vocals.
Emaline has just cut fantastic new album, well worth checking out here:
The Below links talk in further detail over Eco Living options to suit everyone with or without a budjet, looking to move out to the woods or for the more city bound to find a communal affordable option.
The Power of Willful Ignorance (featuring Carol Hodge & Kate Shortt)
This Song was originally inspired by the ExposE on UK advertising techniques used to normalise Factory Farming for the general public
See the original video that inspired the song: www.ciwf.org.uk/truth
“Think you aren’t being fooled by advertising tricks? Take a look at this so-called expert revealing food marketing’s secret weapon.”
Organizations such as Animal Aid have worked tirelessly on exposing malpractice and issues of Ethics in the UK farming Industry though the well financed and omnipresent marketing machine wielded by the farming industry with its official government sponsor’s continues to peddle the deception.
After investigating publically released footage by Animal Aid http://www.slaughterhousecctv.org.uk/ , London Vegan Action Groups and FISHINABOX pooled our efforts and made some of our own investigations , findings justified the writing and release of this song and Film footage will be featured in the Offical Song Video for “The Power of Willful Ignorance”
OUR FINDINGS…….
NO AMOUNT OF MARKETING MAKES FACTORY FARMING ACCEPTABLE
THE POWER OF WILLFUL IGNORANCE
People – will believe anything you say
As long as you say it with a smile
People – they just don’t want to know the truth
They just want to know that everything’s alright
But I don’t want to rely upon
The third hand information that I’m fed
No I don’t want to hear another sound byte
That simplifies the problems up ahead
If you eat me(at), at least have the guts
To look me in the eye
And recognize
That something’s died
Something’s died
She takes her free trade coffee white with two
She likes her chicken skinned and vacuum sealed
The halal-kosher debate is none of her concern
A dozen eggs are cheaper from a shed, not a field
The chew that’s in her fruity sweets, the milk that’s chocolaty
The crush of insect red that stains her hands and teeth
The dolphins in her tuna, the human screams of pork back leg
The fluffy yellow orange red of males who hatched the egg
But who is she to argue?
She’s greased the trolley wheels
She’s priced out of the market
And her budget simply cannot yield
Two dozen sugared biscuits
Are cheaper and more filling
Than one organic piece of fruit
So what would you decide?
If you eat me(at), at least have the guts
To look me in the eye
And recognize
That something’s died,. Something’s died
NOTE to the lyrics:
Some Listeners have raised about the depersonalized nature of the innocent victims of factory farming in the use of the term “something” rather than “someone” .
This was a point raised during the lyric writing.
The use of the lyric “if you eat me(at) as supposed to convey the sentience of the victims in the verse we though carried enough weight as it was the victim calling out to be recognized and in the “something” lyric the victim , in the consumers eyes, no longer existed and was a “thing”
With that in mind we chose “somethings died” instead of “someone’s died” to point out the objectification of individuals in consumerism, as the song is focused on misunderstanding abuse at every level this was more in keeping with the message of the song .
In hindsight we could have probably done one verse “something” and the second refrain as “someone” so as to avoid any misunderstanding.
See the original video that inspired the song: www.ciwf.org.uk/truth
Looking to make a change and drop Meat from your diet but don’t know where to start ?
Over the next few News Reports we will be connecting you to UK based vegan lifestyle and foodie groups who can provide recipes, shopping links, contact groups , social gatherings all the required to explore an ethical diet.
CAST and CREW:
Photography by kind permission of Julian Hanford / Model Heidi Mary Porter
Carol Hodge – Vocals , lyrics, Melody, Kate Shortt – Chello, Andie Handei Kumafaro – Mastering, Score
DISCLAIMER: Links to information on sites other than those operated by FISHINABOX RECORDS are for your convenience only and are not an endorsement or recommendation of those sites. FISHINABOX RECORDS does not control or provide any content or information at these sites, makes no representation or warranty of any kind with respect to these sites or their content, and does not maintain, operate, or take responsibility for information provided. FISHINABOX RECORDS does not endorse and is not responsible for the accuracy or reliability of such content or information and any use thereof is solely at the user’s risk.
